W. A. Mozart – Iona Brown – Haffner & Posthorn (1997)
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ona Brown – Academy of St. Martin in the Fields
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Label/Cat#: Hänssler # CD 98.199 | Country/Year: Germany 1997
Genre: Classical | Style: Vienesse School
Download 17 W. A. Mozart Iona Brown Haffner & Posthorn (1997)
CD Info:
Wolfgang Amadeus Mozart – Haffner-Sinfonie Nr. 35 / Haffner-Serenade Nr. 7 / Sinfonie Nr. 33 / Posthorn-Serenade Nr. 9
Iona Brown – Academy of St. Martin in the Fields
Label: Hänssler Classic
Series: Academy Series
Catalog#: CD 98.199
Format: 2xCD, Album
Country: Germany
Released: 1997
Genre: Classical
Style: Viennese School
Tracklist:
CD 1:
1 – Symphony No. 35 in D major (‘Haffner’), K. 385: Allegro con spirito 5:22
2 – Symphony No. 35 in D major (‘Haffner’), K. 385: (Andante) 9:16
3 – Symphony No. 35 in D major (‘Haffner’), K. 385: Menuetto 3:03
4 – Symphony No. 35 in D major (‘Haffner’), K. 385: Finale (Presto) 3:48
5 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Allegr… 8:53
6 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Andante 7:42
7 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Menuetto 3:35
8 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Rondo … 7:16
9 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Menuet… 5:26
10 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Andante 7:01
11 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Menuetto 4:26
12 – Serenade No. 7 for orchestra in D major (‘Haffner’), K. 250 (K. 248b): Adagio… 7:25
CD 2:
1 – No. 33 1-Allegro assai 6:22
2 – No. 33 2-Andante moderato 4:44
3 – No. 33 3-Menuetto 2:28
4 – No. 33 4-Finale 5:51
5 – No. 9 1-Adagio maestoso 7:19
6 – No. 9 2-Minuetto 3:43
7 – No. 9 3-Concertante 7:18
8 – No. 9 4-Rondeau 5:42
9 – No. 9 5-Andantino 7:14
10 – No. 9 6-Minuetto 4:22
11 – No. 9 7-Finale 3:52
By emphasizing energy over elegance, Iona Brown’s brisk and bracing reading of Mozart’s Symphony No. 33 encroaches on the Harnoncourt style of Mozart interpretation. Actually, Brown’s a good deal more emphatic than Harnoncourt, whose slower tempos and heavier textures sound traditional–even conservative–by comparison. The Academy plays the outer movements and scherzo with a stimulating sparkle and vigor, while the andante flows along with a graceful lightness, making for a highly enjoyable reading.
Turning to the grand and glorious Haffner, we find Brown’s tempos more aligned with Harnoncourt’s and surprisingly similar to George Szell’s early stereo-era recording, an interpretation that prefigured the biting articulation, clear textures, and propulsive energy of authentic (read: modern) performance practice. Nonetheless, the same crackling energy in Symphony No. 33 can be found here, from the bold, boisterous trumpets and drums-accented splendor of the first movement all the way to the ebullient finale. Hänssler’s sound reflects the performances–vibrant, full, and dynamic. A great Mozart disc. classicstoday
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